I started
playing violin at the age of seven, and laboured with little success
for ten years until I discovered that, for me at least, fiddle
music could be a whole lot more fun than classical music. Promising
careers in geology and teaching were recklessly abandoned, and
I began a lifelong search for the most obscure, unpopular and
uneconomic niches of the musical world to which I could devote
my limited abilities. Things began well when I started playing fiddle
with progressive rock band Speedy Bears and jazz-rock band Inner Ear, just as punk
was at its height in the mid 70's. Encouraged by the total failure
of the former band, and being sacked from the latter, I progressed
backwards and downwards through traditional folk and bluegrass,
stopping just short of New Orleans jazz, where I would undoubtedly
have spent an eternity in the unmerciful flames of hell. Bankruptcy
and destitution caused a radical change of direction, and I started
demanding money for my services, instead of paying people to listen
to the dulcet tones of my fiddle.
Ignored!
I then
embarked upon a long and illustrious career as a sideman in a
hundred anonymous function bands, and over the years have been
ignored by, underpaid by, or asked to turn down by, a glittering
array of notables including Prince Charles (who talked all the way through our performance!) Jefferey Archer, Tony Blair, Princess
Diana, Kate Middleton, Tom Hanks, Sting, Elton John, Naomi Campbell, Earl Spencer, Michael Caine,
Kylie Minogue, Judie Dench, Brian May, Muhammud Al Fayid, Barbara
Cartland, Ruby Wax, Princess Michael of Kent, David Frost, Princess Anne, Zara Phillips, David
Beckham, Kate Winslett, William Hague, Uri Geller, Chris Evans,Terance
Conran, Michael Howard, Michael Portillo, Lord Owen, the cast
of East Enders, and Adolf Hitler. OK, I made the last one up.
Session
fiddler for hire
Over the past fifteen years I have played and recorded with a
motley crew of musicians, from pop and rock artists such as Alison Moyet, Michael Ball, Bob Geldof, The Quireboys, and the sadly
missed teen idols Steps (I'm proud
to have played on 5,6,7,8..recently voted one of the UK's most
hated singles of all time!), the off-the page trip-hop of Morcheeba to the Goth-Rock
of All
About Eve and the chicken-head biting rock excesses of David Soul and James Galway. Desperate for
some semblance of credibility, I began working with the impossibly
eclectic Zumzeaux, and bluffed
my way into the sublime Malian grooves of Oumou Sangari.
I play Indian jazz fusion with Jyotsna Srikanth; I got into swing working with Ricky Cool and his Western Swing Allstars, with Diz Disley, Le Jazz, The Hot Club
of London, Robin Katz, the QuecumBar Allstars and the Kimbara Brothers. I explored
jazzgrass with my own group Spice Trade, and the further limits of
blugrass with the Daily Planet, Southern Exposure, The Wagon Tales, and The Coal Porters. I played Jewish
Weddings and Bar Mitzvahs with Stewart Curtis, Gilad Atzamon, Ben Morris, Dave Bitelli, Danny Shine's Neshama, Yuval Havkin's Kedma Band, The Gilev Showband, Eli Tamir, the Matzoh Boys and Klezmania. I bluffed
my way into Russian and East European folk playing with Vladimir Asriev, Igor Outkine, Serguei Pachnine and Zvuk Bazaar. I played Indian Jazz fusion with S.Harikumar,Najma Akhtar andthe Jyotsna Srikanth Project; I filled in
for NetiVaan with Companions of
The Rosy Hours (including playing Paul McCartney's Christmas party!) and with
Bill Caddick's Urban
Legend.
I sampled some Scandinavian avant garde with Andrew Cronshaw, Mike Adcock and the Norwegian
band Utla, and bluffed
my way into Indian film music with Diwana Arts. I played medieval banquets
with Dragonsfire; Scottish ceilidhs
with Kafoozalum; tried some
East African Jive with the Rift Valley Raiders; mixed celtic and jazz with Carmina, blues and celtic
with Brendan
Power,
blues and Cajun with Short
Fuse;
blues and folk with Jenny
Beeching ,
blues and more blues with Hans Theesink; Mexican and Salsa with Trio Azteca and Los Charros; country and
rock with Debbie Nunn, Crazy
Hearts,Tender
Mercies, Audio Murphy and The Brokovitch Band; Country and Irish with Two Loaves Eddie and Acoustica: played pure Hank Williams with Marc Robinson; Zydeco and Rock and Roll with Chris
Jagger; Zydeco and Old Time with Gumbolala; I
played an Irish wedding with Cara Dillon and Davey Spillane, and recorded
some tasteful Irish dance tunes with Shamrock (their 3-million selling "Tell
Me Ma" was dubbed worst single of the decade in the NME! I play in therock covers bands Rollercoaster and Cheesecake, adding delicate and tasteful violin parts to such gems as Highway to Hell, Teenage Dirtbag and Gay Bar.
In 1998 I was credited as "featured musician" on the BBC series "Billy Connolly-Journey to the edge of the World'- where the fabulous scenery of the arctic circle was portrayed with bluegrass, country and celtic music.
Among
the more unusual and entertaining gigs over the years have been
playing a Burns Night in Iceland, playing Russian music for the
Mafia in Beiruit, playing for Princess Anne's birthday party: playing Italian mandolin for a marriage proposal
in Rome, playing for cossack dancers in Elton John's back garden, playing for a line-dance in the French Alps, and doing a Jewish wedding in a pine forest in Athens. Early in 2010 I appeared in an episode of the sitcom My Family as a Mariachi musician. Nice hat!
With actor Keiron Self and Mariachi band on the set of My Family
Fiddle
Teaching
I have developed an easy way to teach improvisation, (some people
call it bluffing!) and give workshops in schools, at festivals
and every year at the London Fiddlers Convention. I have done
educational tours for Folkworks, and was recently involved in
a long series of school performances by Mike Adcock's Last Dance
Orchestra, funded by the national Lottery. I have taught jazz
violin at Middlesex, Newcastle,and Brunel Universities and Truro College,
and have been booked as tutor at "Hands On" fiddle weekends
(Fiddles@Witney), and at the Wigmore Hall. Workshop subjects include
improvisation, swing, klezmer fiddle, East European fiddle, Western
Swing and composition of fiddle tunes.
I also
give private
tuition in jazz, bluegrass and country fiddle.
My books
"Fiddling
around the World"
and "Any
fool can write Fiddle Tunes" are published by Spartan Press; I've
written articles for Fiddle On, Acoustic Musician, the MU Musician
magazine, European String Teacher's Association magazine, and the American Old Time Monthly., "The Fiddle Handbook", published by Backbeat/Hal Leonard came out in Summer '09; "Exploring Jazz Violin" for Schott came out in January 2011, and "Discovering Rock Violin" in 2012.
In (2012) I did fiddle workshops at Fiddles@Witney (4/5 Feb),The London Fiddle Convention (19th Feb), the Fiddle Festival of Great Britain (30 Jun/1st July) and JSArts ( 28/29 July) .
Writing
for the fiddle
I specialise in writing instrumentals in specific folk and other
acoustic genres, and my compositions have been recorded by Jenny
Beeching, Zumzeaux, Spice Trade, the Kimbara Brothers , Tziganarama
and Diz Disley. I have written and recorded three complete albums
of TV production music; English Folk, Scottish Folk and Eastern
European Folk. The latter is also available as a commercial album
under the title Tziganarama. Tracks from these albums have been
used on over three hundred different films and TV programmes around
the world; one tune has been licensed for a global ad campaign
by Nike; my tunes have also appeared on The Archers, Angel, Malcolm in the Middle, Rosanna, Emmerdale, Guinness world of Records etc. I was the winner of a national competition to write a
theme tune for the Sidmouth Folk Festival (I'm not sure that anyone
else entered!)
Philately- who's the fiddle player on the 50p stamp?
In October '06 the Royal Mail did a series of stamps called "Sounds of Britain", designed to represent the cultural diversity of Britain through its music. Alongside such styles as drum'n'bass, banghra and blues was a Celtic stamp, featuring a harpist and a fiddler. I was lucky enough to be that fiddler on the 50p stamp! I'd like to think this was in recognition of my services to fiddle playing, but sadly it's more due to the fact that this site, and hence myself, are very easy to find in Google. Plus, the fact, apparently, that I look like an Irish fiddle player is supposed to look.
SELECTED
DISCOGRAPHY (the
good, the bad and the ugly!) or "Who selected them?!"
Zumzeaux; Blazing Fiddles
Pug CD 001 .........................................................Zumzeaux; Wolf at your
Door; PUG LPOO1